Profanação / Teufelsdom “Thundering Silence of Satanic Prayers” (Altare Productions, 2025)

Released on July 31, 2025, via Altare Productions, “Thundering Silence of Satanic Prayers” is not merely a split recording, it is a sonic liturgy composed of four ceremonial invocations, crafted by two artists deeply embedded in esoteric black metal practice. The Portuguese project Profanação and the Russian entity Teufelsdom offer two tracks each, forming a complete arc of desecration, transformation, and spectral silence. At just under fifteen minutes, the release manages to compress a remarkable depth of aesthetic and metaphysical density, emerging not as a casual split, but as a ritual offering in sound, a transcontinental dialogue in darkness.

I. Architectural Design and Ritual Atmosphere

Profanação contributes “Sete Infernos, Um Trono” and “A Apostasia do Reino Inferior e a Ascensão de Beelzebuth”; Teufelsdom responds with “Культ Трансформации” and “Неизреченное и Непостижимое” (“The Unspeakable and the Incomprehensible”). Together, these four works form a complete spiritual architecture: invocation, desecration, disintegration, and gnosis. One can sense not a collection of songs, but a ritual cycle, executed with intention and silence between movements.

II. Profanação – Apostasy as Ascension

Profanação’s contributions continue the arc begun in their previous full-length, “A Queda das Religiões Abraâmicas”, but focus more intensely on composition as ritual rather than form. These tracks are sonic offerings.

“Sete Infernos, Um Trono”. The opening is merciless. Guitars erupt as sulphurous flames, distorted, phlegmatic, and saturated in lo-fi grime. The percussion beats like an ossified heart. Vocals are raw, beyond diction, approaching glossolalia. This is not merely black metal; it is ceremonial weaponry.

“A Apostasia do Reino Inferior e a Ascensão de Beelzebuth”. This second piece is slower, denser, and more architectural. It carries the weight of inversion: a movement away from light not in despair, but in sovereign revolt. Each riff unfolds like a ritual seal, summoning the archetype of Beelzebuth not as caricature, but as cosmic counter-principle. Profanação’s sonic extremity here functions as a liturgical negation of sacred order.

Concilio MDM Official Bandcamp

III. Teufelsdom – The Cult of Transformation 

Where Profanação enacts fire and flesh, Teufelsdom delivers shadow and dissolution. Their sound is less confrontational, more clandestine, no less aggressive but veiled.

“Культ Трансформации”. This track feels almost cybernetic in its architecture. Cold, minimalistic percussion meets glacial tonal modulations. It invokes not chaos, but a methodical transformation of being, esoteric transmutation through sonorous precision.

“Неизреченное и Непостижимое”. The final piece is the most abstract. Its title, “The Unspeakable and the Incomprehensible,” is not metaphorical. This composition stretches toward the limit of language and sound, evoking absence, rupture, and the ineffable. It ends the split not with closure, but with lingering negation.

IV. Esoteric Tone and Thematic Unity

What unites both sides of this release is a commitment to metaphysical integrity. The titles are literal. The production is raw by design. The soundscape is hostile to the casual ear. “Thundering Silence of Satanic Prayers” is not made to entertain; it is crafted to enact. Profanação and Teufelsdom embrace different aesthetics but share a ritualistic ethos. The former is fire and bone, the latter shadow and ice. Together, they form a binary: invocation and silence; flesh and echo; blood and void.

V. Significance and Context

Coming mere months after Profanação’s polemic full-length, this split refines the vision rather than replicating it. And Teufelsdom, with comparatively little public output, emerges here as a force of metaphysical minimalism, offering an excellent counterbalance. This collaboration also affirms the vitality of transnational black metal discourse: Portugal and Russia, each historically burdened by religious authority, now birthing voices of occult emancipation.

Teufelsdom Official Bandcamp

VI. Conclusion

“Thundering Silence of Satanic Prayers” is not a release for casual consumption. It is an esoteric document; a ritual sonic fragment suspended between apostasy and invocation. It belongs to the altar, not the playlist. It is black metal as sacrament and silence. For those attuned to the metaphysical dimensions of raw sound and occult aesthetics, this split offers not novelty, but depth, a rare and commendable achievement in a genre often ruled by repetition.

Altare Productions Official Bandcamp